Bethan Hughes

Artist and researcher / installation, animation, sculpture, print, text / working on and with transformation; from biological, bodily, ritual, material, to technological, commercial, industrial, immaterial.


Studio:
Gebäude 60,
Wilhelminenhofstr. 83-85,
12459 Berlin


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03.-19.06.22
A Fluid Defence
Group exhibition at Künstlerhaus Sootbörn

29.05.22
An Artist Interview #21
Kunzten

09. - 30.04.22, Berlin
Hevea Act 4: Unnatural Ecologies
An exhibtion of new work presented at feldfünf

03.02.22/18:30, Bucharest
Zoom Talk
To accompany the group exhibition, Staycation

08. - 12.21, Berlin
Draußenstadt Funding
Film project about the High Deck Siedlung with Alina Schmuch

09. - 12.21, Berlin
Research Scholarship
To support research phase of Hevea Act 4/5 at the Topography of Terror Documentation Centre, Berlin, The Auschwitz-Birkenau State Museum, and the Institute for Biology and Biotechnology of Plants, University of Münster

16. - 23.07.21, Bucharest
Staycation Residency
Hosted by Catinca Tabacaru Gallery and Sandwich Gallery alongside the artists Barbara Lüdde, Lera Kelemen, Catinca Malaimare, Yen Chun Lin, Isabella Fürnkäs, Lexia Hachtmann, Ioana Stanca, Ana Pascu and Ana-Maria Stefan

01. - 12.21, Berlin
Goldrausch 2021 Scholarship
Programme for women artists with Mouna Abo Assali, Irma Blumstock, Veruschka Bohn, Ahu Dural, Dora Durkesac, Irene Fernández Arcas, Lexia Hachtmann, Heyon Han, Barbara Lüdde, Rachel Monosov, Ingrid Ogenstedt, Nnenna Onuoha, Anna Slobodnik, Hana Yoo

02. - 04.21, Berlin
Workplace Scholarship
Space to work on the project Hevea at feldfünf e.V.

2019 - 20, Braunschweig
BS Projects Fellowship
With Sajan Mani, Ho Sanggeun, Alina Schmuch, FRAUD

{Hevea Act 4: Unnatural Ecologies}
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Bethan Hughes

Artist and researcher / installation, animation, sculpture, print, text / working on and with transformation; from biological, bodily, ritual, material, to technological, commercial, industrial, immaterial.

Studio:
Gebäude 60,
Wilhelminenhofstraße 83-85,
12459 Berlin.

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Hevea Act 4: Unnatural Ecologies, 2022

Latex, steel, air valves, hardware, PDF, speakers, sound piece, 9 mins, looped.

“Latex and rubber are indeed extraordinary substances that allow us to reflect on the techniques and technologies that produce and relate bodies with materials in unnatural ecologies.”

Delfina Cabrera in The Disorder of Things, a commissioned essay that forms part of the Hevea Act 4 digital publication.

Installation views: Linus Muellerschön
Hevea Act 4: Unnatural Ecologies, 2022

Digital publication, optimised for mobile, designed by Jamie Hudson

Featuring three commisioned texts:

A collaboration between the sun and the skin of the rubber: A conversation with Sajan Mani and Antony George Koothanady,
transcribed by Bethan Hughes, 2022

Topologies of an Extraordinary Substance
Delfina Cabrera, 2022

The Disorder of Things,
Delfina Cabrera, 2022
Hevea, 2021

Catalogue published as part of Goldrausch 2021. Design by Alina Schmuch. Essay by Kassandra Nakas:

“Hevea ist spekulativ, weil Bethan Hughes neben den Objekten auch die Bilder unserer Gegenwart in den Blick nimmt: computergenerierte Bildwelten, die in ihrer permanenren Verformbarkeit ein unerwartetes visuelles Echo der geschmeidigen Plastizität des allgegenärtigen Gummis sind.” 
/
"Hevea is speculative because Bethan Hughes focuses not only on objects but also on the images of our present: computer-generated visual worlds whose permanent malleability is an unexpected visual echo of the supple plasticity of the ubiquitous material rubber."
Collars and Cuffs, 2022

Latex, stainless steel, steel, hardware

&

Stattsgummi, Stattsblume, 2020

One colour screenprint on Kozo paper, each 60 x 42 cm, framed

Presented as part of the group exhibition A Fluid Defence, Künstlerhaus Sootbörn, Hamburg, 04. - 19.06.22.
Hevea Act 3: Before the Blight Hit, 2021

Latex, steel, hardware, mouth-blown coloured glass panes, screenprint on Kozo paper, each 58 x 84 cm.

In Hevea Act 3: Before the Blight Hit a reworked, archival panorama of Henry Ford’s failed neocolonial rubber plantation, Fordlândia, is presented alongside the resource Ford desired to extract from the Amazon, a latex curtain sculpture that partially obscures and partially reveals the image that lies behind it.

First presented as part of the exhibition Mutual Matters: Goldrausch 2021 at the Fahrbereitschaft / Haubrock Foundation, Berlin-Lichtenberg, November 2021.

Images: Linus Muellerschön