Hevea Act 6: An Elastic Continuum, 2023
Glass, steel, rubber, quadrophonic audio + 8-channel generative audio, single-channel video, 27 mins. Dimensions variable.
Sound: Diego Flórez.
An adaption of Hevea Act 6: An Elastic Continuum for gnration, Braga, as part of Index Festival 2024.
Installation views: Adriano Ferreira Borges
Glass, steel, rubber, quadrophonic audio + 8-channel generative audio, single-channel video, 27 mins. Dimensions variable.
Sound: Diego Flórez.
An adaption of Hevea Act 6: An Elastic Continuum for gnration, Braga, as part of Index Festival 2024.
Installation views: Adriano Ferreira Borges
Hevea Act 6: An Elastic Continuum, 2023
Glass, steel, rubber, quadrophonic audio + 8-channel generative audio, single-channel video, 27 mins. Dimensions variable.
Sound: Diego Flórez.
The story of Taraxacum Kok Saghyz (a rubber-containing plant better known as the Kazach or Russian dandelion) narrated from the perspective of the women whose labour was and is related to its cultivation, transformation, and exploitation.
Installation views: Luis Hernando
Glass, steel, rubber, quadrophonic audio + 8-channel generative audio, single-channel video, 27 mins. Dimensions variable.
Sound: Diego Flórez.
The story of Taraxacum Kok Saghyz (a rubber-containing plant better known as the Kazach or Russian dandelion) narrated from the perspective of the women whose labour was and is related to its cultivation, transformation, and exploitation.
Installation views: Luis Hernando
Outfit for a Woman in a Field, 2022
Latex, stainless steel, dandelions
An Elastic Continuum I - IV, 2022
Stainless steel, silver gelatin prints
Works emerging out of an ongoing project concerning Taraxacum Kok-Saghyz, aka the Kazakh dandelion, a plant prized for the high natural rubber content in its roots.
Latex, stainless steel, dandelions
An Elastic Continuum I - IV, 2022
Stainless steel, silver gelatin prints
Works emerging out of an ongoing project concerning Taraxacum Kok-Saghyz, aka the Kazakh dandelion, a plant prized for the high natural rubber content in its roots.
Hevea Act 4: Unnatural Ecologies, 2022
Latex, steel, air valves, hardware, PDF, speakers, sound piece, 9 mins, looped.
“Latex and rubber are indeed extraordinary substances that allow us to reflect on the techniques and technologies that produce and relate bodies with materials in unnatural ecologies.”
Delfina Cabrera in The Disorder of Things, a commissioned essay that forms part of the Hevea Act 4 digital publication.
Installation views: Linus Muellerschön
Latex, steel, air valves, hardware, PDF, speakers, sound piece, 9 mins, looped.
“Latex and rubber are indeed extraordinary substances that allow us to reflect on the techniques and technologies that produce and relate bodies with materials in unnatural ecologies.”
Delfina Cabrera in The Disorder of Things, a commissioned essay that forms part of the Hevea Act 4 digital publication.
Installation views: Linus Muellerschön
Hevea Act 4: Unnatural Ecologies, 2022
Digital publication, optimised for mobile, designed by Jamie Hudson
Featuring three commisioned texts:
A collaboration between the sun and the skin of the rubber: A conversation with Sajan Mani and Antony George Koothanady,
transcribed by Bethan Hughes, 2022
Topologies of an Extraordinary Substance
Delfina Cabrera, 2022
The Disorder of Things,
Delfina Cabrera, 2022
Digital publication, optimised for mobile, designed by Jamie Hudson
Featuring three commisioned texts:
A collaboration between the sun and the skin of the rubber: A conversation with Sajan Mani and Antony George Koothanady,
transcribed by Bethan Hughes, 2022
Topologies of an Extraordinary Substance
Delfina Cabrera, 2022
The Disorder of Things,
Delfina Cabrera, 2022
